Ebook Download Custom Auto Interiors, by Don Taylor

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Custom Auto Interiors, by Don Taylor

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From the Back Cover

Expert trimmers Don Taylor and Ron Mangus share two lifetimes of auto upholstery experience and secrets in this fantastic book. More than 800 color photographs capture every detail you'll need to create your own exciting and award-winning custom interiors. This book explains materials, special fasteners and tools and precise step-by-step instructions show you how to turn out completely professional custom interiors. This is an advanced-level book.

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About the Author

Don Taylor grew up in the auto business. He has written extensively on automotive upholstery, engine rebuilding, restoration, and paint and body work. Some of his titles include the Automotive Upholstery Handbook, Custom Auto Interiors, and How to Rebuild Big-Block Mopar Engines. Don lives in Concord, California.

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Product details

Paperback: 192 pages

Publisher: California Bill's Automotive Hnbks; Revised edition (November 2003)

Language: English

ISBN-10: 1931128189

ISBN-13: 978-1931128186

Product Dimensions:

8.5 x 0.5 x 11 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

64 customer reviews

Amazon Best Sellers Rank:

#284,604 in Books (See Top 100 in Books)

I finally decided to do something about the half-disintegrated and shockingly smelly interior of my '52 Chevy pickup. Now, the smart thing would have been to hand it off to a professional and pick it up a few weeks later completely done. Unfortunately, the six grand or so it would have cost me is almost as much as the truck's worth. So, perhaps unwisely, I decided to do it myself. It's now 90% finished (see pic) and I have to admit that I owe a large portion of my success to this book. It's undoubtedly the best thing on the market.Having said that, though, it's far from perfect. The photos are poor quality snapshots that make it hard to see three-dimensional shapes, there are strange omissions, and many of the brand recommendations are downright bizarre.But instead of waxing rhapsodic about the book's problems, I'm going to use the rest of my review to try to give you the benefit of my hard-won experience. Keep in mind that my project was about as difficult as they get--I had to make everything custom, because my truck didn't have much of an interior when it was originally manufactured. Yours should be easier.OMISSIONSThis book is obsessed with using chipboard to make complex shapes that can then be upholstered. All very lovely if the shape isn't too complex to wrap smoothly and if this is the look you're going for. In many cases, it's much easier to use fiberglass and body filler to create a paintable custom piece. This is standard practice for virtually everything relating to stereo enclosures (see mine in the photo.) The only reason I can think of that the technique isn't so much as mentioned is that the authors are currently writing a book about it. Check the web for pretty much all the info you need to make whatever you want.There is no information provided on the tools you'll need, no instruction on sewing, omissions in the information on laying carpet, etc., which (probably intentionally) forces you to read Taylor's Automotive Upholstery Handbook.WHAT YOU WANT TO AVOID LIKE THE PLAGUESewing is hard. And even if, like me, you can con your mother into doing it, then you have seams to deal with and they are brutal to keep straight when you're gluing. Design your interior to keep sewing to a minimum.I would rather stick my tongue in a hornet's nest than glue in a custom headliner. Nine yards of contact cement-covered material suspended over your head, trying to stick to everything, including your hair. And one mistake, you get to rip it all out. Granted, mine is ridiculously hard due to the acute angles in the back of the cab, but still you should still seriously consider having this done professionally.BRAND RECOMMENDATIONSThere aren't many in this book, but almost none make sense based on my experience.Glue is all important--the difference between an easy five-minute job and an endless disaster. The only advice given (actually in the Automotive Upholstery Handbook as I recall) is to buy the most expensive stuff you can find. This is just as stupid as it sounds. I tried Stick-it, Tac-it, and Duo-something, among others. All with horrible results. DO NOT USE ANYTHING THAT ISN'T MADE BY 3M!!! Note the cheesy use of caps and multiple exclamation marks. I'm serious here.Q-pads: This is a messy, expensive, and obsolete asphalt sound deadener. Use RAAM-Mat or go to sounddeadenershowdown if you want to really geek out on the subject.Mellowhide: This is nice vinyl and I used it based on their recommendation, but it's hard to find and apparently it doesn't store well in non-climate controlled situations, prompting my supplier (the excellent Larry Dennis company) to quit carrying it. It's probably an off-gassing issue and I haven't had a problem with the installed interior, but if I had it to do over again, I wouldn't take the chance.OTHER TIPSFoam dulls razorblades incredibly fast and a dull blade can ruin hours' worth of work in the blink of an eye. Figure three feet of cutting in 1/4 foam before you have to throw the blade away.I made the mistake of using glue in rattle cans. Buy a gallon of the stuff and spray it with a primer gun. It's far cheaper and will give you a more consistent coating with no globs that might telegraph through your material.This is not a science, it's an art. Buy some cheap materials and play around before trying something that's actually going to go in your car. It's not complicated, but it can be kind of subtle.That little 3" sander you see them using in the pictures is your best friend. It's called a polisher, though. Searching the Net for "3 inch sander" won't get you anywhere.Good luck, and remember: Patience!

lets face it - we are all at some point of experience right now and in a few months will move on hopefully getting better at what we do - this book is mostly for custom interiors and is not going to teach you to sew - for me I am designing an interior for a EAA kit built aircraft so that's my interest and this book was very helpful for that application even though it was intended for autos .After reading the reviews - I rationalized that even if it wasn't helpful for aircraft interiors I would eventually use the information contained for another application so bought it anyways and now I can see it is going to be useful for my motorcycle sidecar custom interior and side panel project.

Excellent resource book for auto upholstery. A must have.

This book provides many examples of creative interior designs and ideas that can be applied to almost any application. Whether you are doing a simple side panel for a single project or wanting to do interior upholstery for others this book will be of great help. It doesn’t matter if you are doing auto, boat or airplane upholstery this is a must have basic book to get you started.

Nice product, worth the price!

Some good material, most of it is outdated.

This book is great for telling you exactly how to do interiors. And, it shows you how complicated it can be to do a custom job. I found this to be an excellent guide to help me do what an amature can, and warn me about what I REEEALLY need to take to a pro shop.

Although Fresh methods were incorporated, a huge amount of explanation and information left gray. Much better than “Automotive Upholstery Handbook”

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Get Free Ebook The Patchwork Bike

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From School Library Journal

PreS-Gr 2-In this Australian import, three siblings who live in a remote village "at the edge of the no-go desert" in a "mud-for-walls home," make do with what they have to entertain themselves. They like to run, jump, and climb, but their pride and joy is their bike, which they cobbled together out of spare parts and junk. The handlebars are made of branches, and the wood-cut wheels go "winketty wonk" as they ride, a nice onomatopoetic touch. The story by itself is superb, but the artwork elevates it further. Rudd's street art approach is raw yet refined as nearly every brushstroke is visible on the repurposed cardboard backgrounds. Much like Javaka Steptoe's Radiant Child or Jane Yolen's What To Do with a Box, the format shows the incredible creativity of young minds combined with the constraints of poverty. Rudd not only perfectly matches the tone culturally but also works in a few nods to the Black Lives Matter movement, which he explains in his artist's note. VERDICT An excellent story and conversation starter.-Peter Blenski, Greenfield Public Library, WIα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review

Clarke’s poetically compressed language hurtles joyfully along, while Rudd’s illustrations, made on cardboard boxes with spirited swaths of paint, burst with irrepressible life. Dreaming and building, we see, go hand in hand no matter where you live.—The New York Times Book ReviewThe dark, bright, and desert hues create a blazing-hot world readers can almost step right into. Showcasing the fun to be had in a spare world, this book is just what many of us need right now.—Kirkus Reviews (starred review)In her picture book debut, Clarke’s lines sing with sound and rhythm, evoking the “shicketty shake” sound of the bike on sand hills. Street artist Rudd’s textured paint-and-cardboard collages create a strong sense of a place (the blaze and shadow of the desert) and the people who live there...Without minimizing the clear references to economic and racial struggle, the words and images in this snapshot story pulse with resourceful ingenuity, joyful exuberance, and layered meanings.—Publishers Weekly (starred review)There are small mysteries and deep shadows, figurative as well as literal, that stretch among Rudd’s provocative paint-on-corrugated packing box illustrations in this Australian import...With every visual detail a poignant counterpoint to the simple storyline, there are depths here for older children to plumb.—Bulletin of the Center for Children's Books (starred review)The story by itself is superb, but the artwork elevates it further. Rudd’s street art approach is raw yet refined as nearly every brushstroke is visible on the repurposed cardboard backgrounds. Much like Javaka Steptoe’s Radiant Child or Jane Yolen’s What To Do with a Box, the format shows the incredible creativity of young minds combined with the constraints of poverty...An excellent story and conversation starter.—School Library Journal (starred review)Clarke’s spare, mellifluous language dances across the pages, full of vivid imagery and hyphenated turns of poetry (“out in the no-go desert, under the stretching-out sky”), all of it hand- lettered on Rudd’s rough, tactile paintings...These illustration choices reflect the book’s very theme—exposing the harsh reality of life that some people face while acknowledging the resilience that comes from homemade joy.—The Horn Book (starred review)The notes at the end of the book from both the author and illustrator add context and take the reader outside the story into broader themes of the world beyond, including the Black Lives Matter and Occupy Wall Street movements, making this simple yet joyous picture book a potential springboard for discussion, inquiry, and research. Told in free verse from the perspective of a young female narrator, this story speaks to the spirit of children, play, and makers everywhere.—School Library ConnectionWords hum with catchy musicality on edgy acrylic-on-cardboard art that parallels the bouncy story line and makes powerful political points as well...Neither heavy-handed nor Pollyanna, this timely book honors the power of imagination to discover possibility amid hardship.—San Francisco ChronicleThis winning book will make a great read-aloud for primary grades and provides great material for discussions about creativity, the power of play and imagination, and how to best be happy with what you already have.—New York Journal of BooksThe vivid rhythms of Clark's buoyant prose...are perfectly matched by the bold lines and vivid splashes of color of street artist Van Thanh Rudd's marvelous illustrations in this delightful, exuberant, entirely original picture book.—Buffalo NewsIt’s so incredibly beautiful and the art is magnificent.—A Fuse #8 Production (blog)Vibrant, energetic, and wildly original! Who wouldn’t love those imaginative kids . . . and their weary mom?—The Booklist ReaderKids having fun. Being silly. Being adventurous. Having the times of their lives. This book exudes that very joy. It alludes to police brutality, economic disparities, and the Black Lives Matter movement while at the same time showing children having a great time thanks to their own devices.—A Fuse #8 Production (blog)Bold, beautiful acrylic paintings atop recycled cardboard. This is the sort of book that wows you from the front cover on.—100 Scope Notes (blog)

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Product details

Age Range: 6 - 9 years

Grade Level: 1 - 4

Hardcover: 40 pages

Publisher: Candlewick (September 11, 2018)

Language: English

ISBN-10: 153620031X

ISBN-13: 978-1536200317

Product Dimensions:

9.5 x 0.4 x 12.6 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#75,727 in Books (See Top 100 in Books)

I felt it was hyped up online as compare to the content. Wouldnt recommend it for children. Nice coffee table book for adult conversation. To boring for a child

It took a little while, but at some point creators of children’s books realized that cardboard holds an almost supernatural power over the imaginations of small children. It is the ultimate building material. Strong and sturdy, yet malleable. Bonus: You can draw on it. Interestingly, in terms of plotting I’ve seen it mentioned in graphic novels far more often than picture books. Books like “Cardboard” by Doug TenNapel and “Cardboard Kingdom” by Chad Sell may even take it to an extreme level. There are a couple exceptions, of course. “Not a Box” by Antoinette Portis and “What to do With a Box” by Jane Yolen exist, but both emphasize the boxiness rather than the cardboardyness of the materials at hand. It got me to thinking. Can we get a book out there that appreciates less what cardboard does, and more how it acts and looks and feels? “The Patchwork Bike” by Maxine Beneba Clarke and illustrated by Van Thanh Rudd isn’t actually about cardboard at all, really. What it is about is having fun with the things that you make with your own hands. It’s only when you look closely that you see that the art itself is done on cardboard, reinforcing the theme, and giving this book the much needed heft it needs to carry the tale. Picture books are supposed to be a perfect amalgamation of text and image, and thanks to the use of cardboard, you get that in this stellar combination.The setting is simple. This is a village, where home are constructed from mud, sitting on the edge of a vast desert. Our narrator is a sunglasses-clad black girl, who introduces the reader to her crazy brothers and her “fed-up” Muslim mom. The kids have fun climbing the Fiori tree or sliding down the sand mountain they constructed, sure, but the true fun for them comes when they get to ride their bike. It’s a mishmash amalgamation of wooden wheels, tin-can handles, and other parts scavenged around and about. Still, it has everything you’d want. A license plate, painted on lights, “and a bell that used to be Mum’s milk pot”. When these three kids skid around on their bike, they are unstoppable. This thing is theirs.We talk a lot about the need for diversity in children’s literature and I’ve been very happy to see how books for kids in the last few years have shifted a little bit, just a little bit, away from the rote “here is my family” types of tales to stories in which they take their own lives for granted. If that makes any sense. “The Patchwork Bike” is a perfect example of what I’m talking about. One of my favorite two-page spreads shows a woman in a white hijab and dress walking down the street to the description, “and this is our fed-up mum.” In another two-page spread she’s seen again, but from behind, while she watches her three kids zoom by on their bike. They’re nothing more than a blaze and blur of color while she looks interestingly fuzzy to us, like our focus isn’t on her at all but just over her shoulder. The phrase “fed-up mum” is invoked for a second time here. I love that. I love that fed-up moms are universal. I feel like we need to see more of that in our books. Less patient, tireless, saintly parents from other cultures. More irritated, exhausted, fed-up, deeply human parents, please. Something we can relate to a little.As for the quality of the writing itself, I liked very much Ms. Clarke’s use of repetition and the way she describes the kids’ everyday lives and village. “This is the big Fiori tree where we go jumping and climbing, out in the no-go desert, under the stretching-out sky.” When she describes the bike, new words that you instantly understand pop up. “It has a bent bucket seat and handlebar branches that shicketty shake when we ride over sand hills.” Later the wheels “winketty wonk” when they speed. These Seussian terms could strike you as overly precious if you were unready for them, but I liked their spunk. What they really do is give you a feel for the personality of the narrator (who, according to the Author’s Note at the end, is definitely female). You just look at her expression when she’s driving that bike. This is someone who is in control and loving every second of it.Now I’m a mom. I have kids. I’ve drawn on cardboard before because that’s what parents do. And if you’ve ever drawn on it yourself then you’ll know that it’s a strange, unforgiving material. There are unexpected divots and dips to be found. Press too hard and the tip of your marker goes right through a weak spot. Then there’s that odd striation that prevents anyone from making a straight line. It would never in a million years have occurred to me that you could use that buckling and jittery quality as a way of heightening some aspect of a picture book's plot. Rudd has cracked a code I didn’t even know existed, and he did it with acrylics. When he wants to show speed, like on the endpapers, he paints lengthwise, across the creases. The natural breaks in the paint emphasize speed. Later he paints below the image of a broken down police car and the paint looks like the reflection of water, disjointed and pooling into incongruous puddles.I’ve seen a lot of children’s books try to replicate the look of cardboard, rather than use it as a template right from the start. The fact that Rudd is painting on cardboard is cool, but do not let it distract from the fact that the paintings themselves are marvelous, even when they’re being more straightforward than lines of motion. When the main character indicates her “crazy brothers”, you notice that reflected in the lenses of her sunglasses are what look to be mountains and valleys of deep purples and blues. Look too how Mr. Rudd is constantly changing the perspective of the reader. You’re above the kids looking down. No, you’re looking at them straight on. Now they’re just tiny silhouettes on a hill. Now they’re so big the page can only encompass half a face. You could probably write whole essays on the choices the artist makes with this title.At the end of the book is a somewhat unique page containing both an Author’s Note and an Illustrator’s Note, with photos of both of the creators. Because this book was originally released in Australia, the two have a sense of distance and perspective that they’re able to bring to this new American edition. Ms. Clarke discusses the Muslim mother character, how kids have connected to the book since its release, and the landscape of poverty. Mr. Rudd takes a slightly different tactic. Inspired by the Black Lives Matter movement, he took care to make sure that the two brothers in the book invoke both “don’t shoot” hand movements and the ballerina on top of the Wall Street bull sculpture during Occupy Wall Street. When the kids create a bark license place, it reads “BLM”, making this perhaps one of the few picture books out there to invoke the movement multiple times this directly.My kids are always game for a new picture book, so I toted this one out a recent morning to see what their reaction would be. They looked at it with interest. The setting and characters were new to them, but they didn’t find anything difficult to understand. It was only when it ended that my daughter expressed some disappointment. “There’s not much of a story”, she said. She then explained that once we saw the bike we’d get to see the kids engage in some kind of an adventure. Instead, to her mind all we did was see what the bike was and that was it. I can see what she’s saying. There are no heroes or villains in this piece. I’d hoped that she might be inspired a bit by the art, but to be fair she's always thought of cardboard as great stuf. So, there you go. I’ll level with you. Plot forward, it is not. That’s not its purpose or intent but if you have a kid that thinks of books only in terms of advancing a story, best to give them a heads up beforehand that this isn’t that.What this book reminds me of, almost more than anything else, is “Radiant Child” by Javaka Steptoe. In both cases you have an artist taking found materials (discarded wood in one case and cardboard in another), painting on that material, and turning it into something truly beautiful. Of course one of those two books was set in America and this book is set in an unnamed village in an unnamed country. Recently I heard someone note that when you make a booklist and you include the stories of black children, you should make an effort to include some tales that contain, what they called, black joy. Kids having fun. Being silly. Being adventurous. Having the times of their lives. This book exudes that very joy. It alludes to police brutality, economic disparities, and the Black Lives Matter movement while at the same time showing children having a great time thanks to their own devices. Cardboard is a flexible material. This book has flexible uses. Use both wisely and well.

Simple, easy to follow text accompanies great illustrations that are designed to look like they were drawn on corrugated cardboard. They give the story an authentic feeling, since it's set in a rural village that could easily be in Africa or Australia. Three brothers take young readers along as they enjoy the fun and freedom of riding a bike assembled from such varied components as wooden wheels, a bark license plate, tin cans and their mother's milk pot. Colloquial words used to describe the sounds and moves made while enjoying the bike, add to the ethnic flavor. The note by the author and another by the illustrator in the back are extremely useful in helping to understand the message and intent of the book. They should be shared by teachers and parents when the book is read. Overall, it's a simple, yet beautiful slice of life tale that will introduce young children to a different reality, that also points out how universal having fun with just a little can be.

My son received this book from his school library at conferences last week. Why wouldn't a 5-year old pick out the one with the motorcycle on the cover? As I was reading it to him that night in bed, it seemed like an innocent enough story...until I got to the page with the "BLM" license plate artwork. A couple pages later another picture depicted the black kids riding on the bike with a fist in the air. I don't appreciate anti-American propaganda fed to my children through their books. Any legitimacy the book had through it's story was destroyed by the "artwork" appearing to promote the Black Lives Matter movement. A reading of the author/illustrator notes confirmed all my suspicions. The author and artists are both activists who understand well what they are doing. This book is not as much about poverty as it is about someone else's horrible approach of how to deal with it. If you believe that American Capitalism has lifted more people out of poverty than any other economic system in the history of the world, you might want to stay away from this book. If you believe that America is the LEAST racist country on the face of the earth, and BLM exists for the sole purpose of perpetuating a myth, you might want to stay away from this book. Finally, if you care about your kids and think it wise to protect them from subliminal propaganda, you might want to stay away from this book.

THE PATCHWORK BIKE is told in free verse poetry. The book is about some impoverished children in what appears to be Africa and how they go about making a bicycle from all kinds of different parts: pieces of wood, tin cans, a flour sack, and an old milk pot. The book is also about the sense of freedom the bike provides the children. At the end of the book there is half a page of notes from both the author and the illustrator and what they hoped to achieve in writing and illustrating the book.

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How to Reassess Your Chess has long been considered a modern classic. This fourth and final edition completely rewritten and featuring all new examples takes Silman's groundbreaking concept of imbalances to a whole new level. Designed for players in the 1400 to 2100 rating range and for teachers looking for a ready-made chess curriculum, the author shares a mind-expanding journey that takes the reader through imbalance-basics, ensures that every detail of all the imbalances are mastered, and leaves the player/lover of chess with something he always wanted but never believed he could achieve: a master-level positional foundation. A section on practical chess psychology (titled Psychological Meanderings) presents never-before-published ideas on psychological processes that hinder players of all levels, and gives easy-to-follow advice and techniques that will help anyone overcome these ubiquitous mental/emotional failings. Hundreds of games brought to life by instruction-rich prose, and stories that offer humor while highlighting various lessons, vividly illustrate all the book's topics in a manner that's both personal and fun. If the positional masterpieces of the chess legends have always been a mystery to you, if chess strategy has always been an unsolvable enigma, if you find yourself a positional pawn rather than a positional master, then How to Reassess Your Chess, 4th edition will prove to be a life-changing experience. Jeremy Silman is an International Master and a world-class teacher, writer, and player who has won the American Open, the National Open, and the U.S. Open. Considered by many to be the game's preeminent instructive writer, he is the author of over thirty-seven books, including Silman's Complete Endgame Course, The Amateur's Mind, The Complete Book of Chess Strategy, and The Reassess Your Chess Workbook. His website (www.jeremysilman.com) offers fans of the game instruction, book reviews, theoretical articles, and details

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Product details

Paperback: 658 pages

Publisher: Siles Press; 4th edition (October 15, 2010)

Language: English

ISBN-10: 1890085138

ISBN-13: 978-1890085131

Product Dimensions:

6.8 x 1.2 x 9.8 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

137 customer reviews

Amazon Best Sellers Rank:

#40,561 in Books (See Top 100 in Books)

I am about a quarter through this book and I would give it no more than 3.5 stars. Jeremy Silman is a fine writer and always tries to make his prose and instructions fun and peppered with jokes (some work, others don't). As an intermediate level player (probably around B or C category) I got this book in the hope that it would help me obtain some strategic concepts and help me navigate middle-game situations better. The problem with this book, as with many chess instructional books generally, is that strategic ideas in chess by themselves are largely useless, unless accompanied by solid tactics and analysis. For example, after studying a chapter on rooks on the 7th and 8th ranks, I came out with almost no more knowledge or understanding than before. Because while he provides interesting examples of when that concept works and when it doesn't, the only real lesson of those examples is: you need to calculate! Could he have supplied better examples where a visualization of the position would provide a better understanding, rather than detailed analysis? I am not sure. Were there lessons to be drawn from those examples that Silman could have explained more cogently? Also not sure.By contrast, I would give Silman's endgame book a rating of 4.5-5. Maybe it's because endgames lend themselves better to more lucid analysis and technique and therefore easier to understand for an intermediate player. Here's the bottom line: if you are an intermediate level player who is not familiar with many concepts in this book, perhaps it could be instructional. For example, knights generally do better in closed positions (more pawns on the board); bishops better in open positions (fewer pawns on the board); or that one ought to aim to place rooks on the 7th/8th rank. But without concrete analysis, these concepts are largely meaningless. Therefore, as a book of ideas, accompanied by seemingly random examples of application, this book could be useful. But I personally find going over master games, with move by move annotations, which includes both verbal prose and concrete analysis, a more useful use of chess study time.

I'm a strong expert chess player (~2170) and a former chess tutor/teacher. Thus, I have owned, read, and taught from a LOT of chess books. So it's not a small thing for me to say that Reassess Your Chess is the best chess book I've ever read.Silman's discussion of imbalances is clear, well-thought-out, and illustrated with excellent examples. The writing is fluid, conversational, and, occasionally, quite humorous. And, specific to the 4th edition, I appreciate that Silman used entirely new examples. This isn't just changing three words and slapping on a new edition number as a quick money grab -- it's well worth buying the new edition even if you already have the 3rd Edition of Reassess.A minor caution: It's not easy or low-level material, and if you're trying to go, say, from under 1000 to 1200 you're probably better off with The Amateur's Mind or something even more basic. But if you're looking to get up to A or B class, to say nothing of Expert and beyond, you really can't do better than this.

Silman gives excellent instruction and is an enjoyable chess coach.So, five stars. Drop one star because there are way too many sidehighlights to arbitrary advice, like "do this, don't do that." Tenpages later there is another set of highlights. It makes this allsound easy and simple when, in fact, he is giving detailed analysis.(Example: On page 228, "Rule --- Trade minor pieces when youropponent has an isolated pawn." Then, on page 236, "Rule ---Trade minor pieces when your opponent has a backward pawn."However, a major section and theme of the book repeats overand over the opposite advice --- "Don't trade your useful andactive pieces for the opponent's badly placed inactive pieces.")Drop another star because there are 280 (!) annotated midgamepositions, most all are shown after twenty starting moves (no notes),without any opening index! So, Reassess is, in fact, a midgame puzzlebook. There is never any connection made to the openings, closed, open,semi-closed, or semi-open.(Note -- I didn't knock off a star for this next one ---) The test answer diagramsare too small except in bright light. The printing is fine, but a white bishop on adark square is near invisible. I flipped back 400 pages to check the question diagram.A lot of the instruction happens in the answer section (200+ pg.) so I got reallyfrustrated without having a bright light. Even in bright light the answer diagramis too hard to focus, it's an 8x8 chess board that's 1.1 inch on a side. True, when thetest answer is long, Silman does show a bigger updated diagram, 1.5 inch, whilethe main diagrams in the book are 1.75 inch (easy to see).Drop another star because Silman says to read his book cover to cover.650 pages, oversized, dense text and moves. See you in five years, no joke.A more concise book is Michael Stean's expert Simple Chess. For closedgames (1. d4) there is Edmar Mednis' Strategic Chess in Closed Games.(Mednis' awesome book builds independent thinking, strong positions, not rules.)For 1. c4 (English) strategy there is McDonald's Starting Out English. Against1. e4 in specific moves and strategy is Simon William's Attack with the French.To complete a reliable repertoire, for White the English (or the King's Indian Attack),and for Black, the French and King's Indian defense. Three openings!To see what can happen in the first twenty moves, Knaak and Muller's 222 d4Traps, also Kalinichenko Winning in the Chess Openings 700 Ambushes. Thoseare all twenty move decisive games. Reassess Your Chess doesn't give any adviceon how to reach a reliable twenty-move midgame. There is a connection from theopening to the middle game, but, Reassess doesn't even attempt to mention it.Silman does make a student work to apply positional technique (very good).

I played tournament chess from 92-99 and just recently started to play again and this is one of the books that I purchased to help me become competitive again.I am currently about 100 pages into the book and i realize that Mr Silman is a true Master at teaching. He has taken the complicated topics and given them to the reader in easily digestible bites, while in no way watering down the topics.This is easily a book that you can learn from or even use to teach chess from. However this is NOT a beginner book but rather for those who have some understanding of the game and rudimentary knowledge of how to play.

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